APP Kingston – xcurated

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Exploring the notion of public art as provocative, reflective, and sublime, these six installations are united under the theme of ‘Spectacle.’ Often political and commercial forces have used spectacle as a strategy of distraction. Many have argued that, in this way, spectacle is an artificial and threatening force, embodying the power to divert attention from important social issues, eroding sustained engagement, and halting the potential for positive change. However, spectacle has also been utililzed by artists, activists, and individuals throughout history in a similar, yet more tactical manner. It has been used as a tool to draw attention to a cause that might otherwise remain unnoticed, it has cultivated unrest, instigated reactions, and incited activity. Indeed, spectacle can both unite and divide, engage and alienate. As a strategy or a tactic, it can be a risky undertaking.

APP Kingston or Art in Public Places Kingston is proud to present the following participating artists who will be presenting public art installations throughout the city:

Steven Laurie graduated from the Ontario College of Art and Design, receiving the Seiji Award for Public Installation/Social Sculpture and the George A. Reid Award for Proficiency in Sculpture and Installation. He completed his Masters in visual art at the University of Western Ontario. He is based in Toronto, where he is Assistant Project Manager at the Royal Ontario Museum. For further information on Laurie’s practice visit stevenlaurie.com.

Michael Davidge is an artist, art critic, and curator, who lives and works in Kingston, Ontario.  A practicing post-conceptual artist with Master’s degrees in both Visual Arts and English Literature, Michael creates work that evidences his depth of knowledge in the field of contemporary art and art history. His writing has been published in national publications including Parachute, Blackflash and Front Magazine. Increasingly, Michael views his text-based work as “improvisations on a theme,” situating his practice in a musical idiom as explored by his free-jazz punk-disco outfit, SouB?.

Catherine Toews is an emerging artist  based in Kingston. Born and raised in Winnipeg, Manitoba. She received a Bachelor of Fine Arts (Honours) from the University of Manitoba. Recent exhibitions include Bring on the Beautiful Girls: Verb Gallery, Kingston, ON, (2011) Synergies, Union Gallery,(2010) Kingston, ON and Square Pegs, Modern Fuel Artist-Run Centre, Kingston, ON (2008).

Shayne Dark is an established Kingston artist who has participated in numerous exhibitions in Canada and the United States since he began his artistic career in the mid 1980’s. Dark creates mainly sculptural works, taking a keen interest in every aspect of the process of art production, which he feels draws upon and focuses the physical and perceptual experience of the world. His works often evoke the contrasts between urban settings and the natural world.  Recent exhibitons include The Robert McLaughlin Art Gallery, Oshawa, ON (2010),  Edward Day Gallery, Toronto, ON,Musée d’art de Joliette, Joliette, QC, (2009) and Art Mûr – Montreal, QC, (2008).

Robert Hengeveld is an installation and multi-media artist whose work explores the boundaries between reality and fiction, and where we find ourselves within that relationship. He is currently living and working in Toronto, Canada.  He completed his MFA at the University of Victoria in 2005 and studied the Ontario College of Art and Design.  He began his art practice at Georgian College, where he received a Certificate and Diploma in Fine Arts.  Some recent and upcoming exhibitions include Hallwalls Contemporary Art Center (Buffalo), Circa (Montreal),  EyeLevel (Halifax), and Mulherin + Pollard (NYC).

Artist duo Millie Chen and Warren Quigley have exhibited across Canada  the U.S., and in Mexico, Brazil, France, the Netherlands, Northern Ireland, Japan and across China. Most recently, Chen showed at the Albright-Knox Art Gallery, Buffalo, as part of the exhibition “Surveyor.” She has also shown as part of Sound Symposium in St. John’s, Newfoundland and in China at Yuangong Art Museum, Shanghai, Tank Loft Contemporary Art Center, Chongqing, and Museum of Contemporary Art, Shijiazhuang. She received  a Chalmers Fellowship through the Ontario Arts Council to produce “Demon Girl Duet,” a dual-screen video based on two river journeys down the Yangtze in China and the Niagara in Canada/USA, most recently exhibited in the Canada Pavilion at Shanghai Expo 2010.

Warren Quigley is a graduate of the Ontario College of Art and Design in Toronto. His current project , Survival Guide & Kit , has recently been produced for the exhibitions “Tout Contre Nature” at Wharf, Centre d’art contemporain de Basse-Normandie, France, “Beyond/In Western New York” at Western New York Book Arts Collective and the Albright-Knox Art Gallery Bookstore, Buffalo, “Art/Work” at Contemporary Art Institute of Detroit, and at Convenience Gallery, Toronto.

Events

Guided Bus Tour of APP Kingston sites                             Saturday 12 May, 1:30 pm
APP Kingston launches with a guided bus tour of installation sites leaving from the parking lot at Food Basics, Barrack and Wellington Street.
This tour is sponsored by Tourism Kingston.

Public Roundtable                                                                     Thursday 7 June, 7 pm
A discussion of Kingston’s nascent Public Art Policy hosted at Market Square Amphitheatre.

xcurated website

 

Keep Drifting Fun

Keep Drifting Fun from Will Roegge on Vimeo.

A nice little documentary on drifting. Click and watch.

Cut and pasted from vimeo:

Keep Drifting Fun
facebook.com/KeepDriftingFun

In 2010 we crisscrossed the USA interviewing drivers and covering grassroots drifting events. We wanted to know why people choose to drift, how they got into the sport, and why the love it. The answer is simple, its fun. In fact, its the most fun you can have with a car. Once you do it, you’re hooked and for children of the action sports era – its easy to understand being subjective and judged. In this short form documentary, we visit some of the most vibrant and passionate drifting communities in the US. We talk with up and coming amateur drivers and pro drifters about the sport and why Keep Drifting Fun is more than just a motto – it has changed their lives.

Directed by Will Roegge and Joshua Herron
Edited by Will Roegge, Joshua Herron, and Skylar Smith
Motion Graphics by Andy Sapp

Thanks to NOS Energy Drink for the support!

Death Can Dance – TOWNHOUSE Art Exhibit / Zürich Switzerland

Curated by Lori Hersberger

ARTISTS:

ERIC ANDERSEN, IAN ANÜLL, NOBOYUSHI ARAKI, ATELIER VAN LIESHOUT, ALEXANDRA BAUMGARTNER, MANON BELLET, OLIVIA BERCKEMEYER, MARC BIJL, BENI BISCHOF, GUY BLAKESLEE, ROMAN BLUMENTHAL, MARC BRANDENBURG, OLAF BREUNING, HANNAH BUCHHOLZ, DANIELE BUETTI, WILLIAM S. BURROUGHS, LUCIANO CASTELLI, ANNA CEEH, CRYSTEL CERESA, AMANDA CHARCHIAN, FRANCISCO DA MATA, HANNE DARBOVEN, GABI DEUTSCH, ANDREAS DOBLER, PIOTR DLUZNIEWSKI, CHRISTOPH DRAEGER, THOMAS DRASCHAN, SVEN DRUEHL, IRENE DÜRING, SASKIA EDENS, RUTH ERDT, JÜRG FEDERSPIEL, PAWEL FERUS, MARKUS GADIENT, STELLA GLITTER, SOFIA GOSCINSKI, BOB GRAMSMA, GREGORY GREEN, LORI HERSBERGER, NIC HESS, GREGOR HILDEBRANDT, EHFA HILTBRUNNER, ARMIN HOFMANN, CHRISTIAN HOISCHEN, SUE IRION, JUNG-YEUN JANG, DEJANA KABILJO, LARA KAMOLJA, DOUGLAS KOLK, ZENITA KOMAD, MOUSSA KONE, FRIEDRICH KUNATH, MICHAEL KUNZE, A.C. KUPPER, MARIE-LUISE LANGE, PETER LANGER, STEVEN LAURIE, ELODIE LESOURD, NIKOLAUS LIST, CONSTANTIN LUSER, LUTZ / GUGGISBERG, ROBERT MAPPLETHORPE, REMY MARKOWITSCH, FABIAN MARTI, BERNHARD MARTIN, BARBARA MARIA MEYER, CLAUDIA & JULIA MÜLLER, ESTHER MÜLLER, GIANNI MOTTI, FRANK NIETSCHE, ODRADEK, MARIE-JOSE OURTILANE, MANFRED PECKL, RAYMOND PETTIBON, JACK PIERSON, MATTHIEU PILLOUD, MARC QUINN, DAVID RENGGLI, CHRISTIAN ROBERT-TISSOT, MAYA ROOS, TANJA ROSCIC, PASCAL ROUSSON, DENNIS RUDOLPH, ANDREAS SCHLAEGEL, HANNES SCHMIDT, CHRISTIAN SCHOCH, PATRICK SCHRAG, KERIM SEILER, MARCUS SENDLINGER, JEROEN SINGER, MARTIN SOTO CLIMENT, LOREDANA SPERINI, TOBIAS SPICHTIG, LINDA SPJUT, MARKUS STALDER, VINCENT SZAREK, MARIA TANIGUCHI, ALEX TENNIGKEIT, IV TOSHAIN, ELIAS ULLI, ANDY WARHOL, PETER WEHNIGER, WOLFGANG WIRTH

Gallery: TOWNHOUSE
Location: Ankengasse 8 / Schoffelgasse 118001 Zürich Switzerland
Opening Times: Friday-Saturday 12pm-8pm
Monday-Thursday by Appointment
Tel. +41764891285

I have a small piece in this exhibit.

Link: Death Can Dance

Caves of forgotten dreams – Review

by R.M. Vaughan

Excerpt from article…

Laurie, Moores, Vickerd and Hall at the University of Waterloo Art Gallery

Meanwhile, down the road at University of Waterloo Art Gallery, two no less investigative (but more laugh-out-loud funny) exhibitions pit everyday materials against the overstimulated imaginations of four very playful artists.

In the first gallery, Steven Laurie, Zeke Moores, and Brandon Vickerd make some noise with machine culture, gear-head sculptures any 12-year-old will be hard pressed to keep his or her fidgety little mitts off of.

Laurie’s post-industrial contraptions look like Transformer hybrids of lawnmowers, scooters, and chainsaws. And they work. They do utterly useless things, such as making circular skid marks on pavement, and making an enormous amount of noise. The videos of Laurie playing with his cockeyed devices are hilarious and a little bit abject; miniature monster truck rallies complete with all the metaphors of diminished masculinity.

Vickerd’s work moves in the opposite direction. Stripping down motorbikes (the long, hyper-phallic kind commonly called choppers) until they are rendered into quite lovely skeletons of their former powerful selves, Vickerd resignedly embraces the impotent gesture.

While Laurie’s work bellows, Vickerd’s work sighs. Call it rust belt poetry.

Moores’s work, particularly his colossal cut steel replica of an SUV, straddles the same hopeful/foolish divide. The task set out by Moores– can I build my own SUV? – is answered with a qualified yes. The shell of the desired object is replicated, but, of course, the model is, functionally speaking, useless.

Again, expenditure and result collide. When the Great Recession passes and needs a commemorative sculpture, Moores is the man.

In UWAG’s Gallery Two, Lauren Hall blends long pearly blue-grey triangular spikes (hung from the ceiling and mounted on the floor) with hotly coloured pink and blue sand, white thumb-sized pellets made of salt, and shiny hunks of semi-transparent glycerin soap, to create a cross between a disco, a grotto, and an alien fortress set from the no-budget TV classic Space 1999.

Hall’s installation is so abundantly joyful, so enthused by its own high artificiality, it practically gives you a sugar rush. All that’s missing is a dance soundtrack and cocktails made with grenadine.

CLUTCH Review 2012 – Globe and Mail

Until March 3, 200 University Ave., Waterloo, Ont.; uwag.uwaterloo.ca

Globe and Mail – Saturday February / 25 / 2012

Link to full article - Globe and Mail Article